Veronica Bisesti

Observation, selection, and repossession are daily practices of my research that redefine a physical dimension in a sort of archeology of the glance. I consider fundamental those aspects of the traditional life routine with its cultural paradigms and its ideologies that, rooted in space and time, govern the social ecosystem.

I like to think that objects are processed through assemblies and visual short-circuits, or under minimal narrative solutions, introducing a new insight of the matter itself. Moving an element from its usual perception to an unexpected dimension requires a particular emotional state and the ability to link what you see to a specific thought.